Mr Speaker, I want to thank Hon Abass and your good self. At least, today, we were treated to some very different cultural dances and music, thanks to the Ghana Dance Ensemble, operating under the National Theatre and its leadership of a Board and Chief Executive.
Mr Speaker, as I saw you take some steps, I watched the Hon Majority Leader who, when it comes to words, has decided to be rigid; so his body remained rigid. Even as the Sompahene, he had difficulty turning his body and responding as he should.
Mr Speaker, dance is significant because we are what we are due to our culture. Your good self was taught that, Tyler Perry said that culture is a
people's way of life. When these dances are done anywhere in the world, we would appreciate where we come from. It promotes national unity and cohesion and it is entertaining, which is what we need.
What this Parliament can do, as you rightly directed, is invite them for every opening of Parliament; they can come in to entertain. We would then see those Members of Parliament (MP) who attend funerals, naming ceremonies, weddings and other celebrations without abandoning where they come from and their cultural dance.
Mr Speaker, in Dagbon, where I come from, I have never missed an opportunity with all my imperfections to respond to the drummers. It is significant to note that when the President was in Yendi for the coronation of Ya-Na Bukari Andani, which was a significant national decision -- As Isaiah Berlin once said:
“At crucial moments, the acts and actions of men at turning points, determine the course of history.”
We joined the President because he was taking a significant decision to resolve a monumental problem that had divided Dagbon. When we were just about ending the programme, I chose to attempt to dance, even though I know there were more perfect people around.
I danced to what the Dagombas cal l Tiyumtaba -- Gu-Shei-Naa- Bawah. It is named after one of the
paramouncies of Dagbon and it means “let us love one another”. So, for those who understood the rhythm of the gong, they appreciated that the focus was not on my faulty or imperfect steps but the message, that we should love one another in order to keep the peace and unity as the President sought to establish.
Mr Speaker, my Hon Colleague, Inusah Fuseini, who is here would attest; sometimes, you might even dance and somebody would misconstrue the particular message. For instance, when I am in Gonjaland, Bole or Damongo, all I need is to learn to exercise my neck because for the Gonjas, the demonstration and beauty of their dance is in the manoeuvring of the neck.
So, you would see them with their necks moving in response, which is beautiful.
In the Ashanti Region, as we have witnessed, they have a rich culture. Except as I said about the Sompahene, this is not about the rigidity of grammar where he would say this or that spelling is wrong. It is his body; therefore, he must learn to be flexible in order to be able to respond to it.
Mr Speaker, you have directed and you have our absolute support that every other period, at your pleasure, when this House is going to convene for its First Session, and even on the day of adjournment, you would ably invite them to come and entertain the House.
So, Hon Members are encouraged by Mr Speaker to learn how to move their bodies and become culturally responsive. Otherwise, it would be said by the opponents of some Hon Members who cannot dance well that when it came to a particular cultural dance, they could not dance. They could lose some votes for it. More importantly, it is for this Parliament to commit adequate resources for the work of dance.
If the Hon Majority Leader would recall, recently when he led the delegation on the Executive Committee in Livingstone, Zambia, I saw him take a video when the dance group came in. We should do so more in Ghana.
Mr Speaker, as was promised in the New Patriotic Party's (NPP) Manifesto concerning the National Theatres -- not even one Theatre was constructed in Accra, but they promised theatres. We must see some work on the theatres in the other regions, including my own cultural centre.
Mr Speaker, dance and cultural dances are significant. It was my joy to see you respond to the rhythm with your legs, hands and body. The Hon First Deputy Speaker convinced me that he was better than the Sompahene when it comes to the important Adowa dance.
Mr Speaker, let us commend the management and Board of the Ghana Dance Ensemble and commend our Colleague, Hon Ridwan Dauda Abass, for bringing this to the fore.